But hopefully this ending will encourage viewers to stop trying so hard to see the killing as a typical police drama and wake up to the fact that it long-ago metamorphosed into something much more fascinating. It has been, from the start, a show that makes us question like detectives Linden and Holder the value of the truth, and what we will invest of ourselves in order to know. Last year, in an interview with Alan Sepinwall, veena sud defended the integrity of the show. We said from the very beginning this is the anti-cop cop show. It's a show where nothing is what it seems, so throw out expectations. We will not tie up this show in a bow. There are plenty of shows that do that, in 45 minutes or whatever amount of time, where that is expected and the audience can rest assured that at the end of blank, they will be happy and they can walk away from their tv satisfied. This is not that show.
Use a macGuffin right and you can accomplish almost anything; do it wrong and your audience will never trust you again. . The killing is often compared to the fun hitchcockian tv drama, twin peaks, which captivated America in 1990. Director david Lynch brought us Detective dale cooper, who was also searching for the killer of a young girl deep in the woods of Washington State. Twin peaks used laura palmers murder as a macGuffin to lead its viewers closer to the bizarre townsfolk, through surreal dreams, and chasing after a one-armed man. It became the most popular show on American television, but when Lynch ended his first season without delivering answers, audiences were rabid. Lynch gave in and revealed early in the second season that grieving father Leland Palmer had killed his own daughter. And after this reveal, Twin peaks lost its audience anyway. Soon the show ranked 85th out of 89 shows on the air. Now that veena sud has kept her word and revealed the killer, she runs the risk of finding her audience evaporating just like lynchs. Fans and critics might well be outraged at The killings anticlimax. Some might even wish Sud had decided to just leave us all in suspense for another year.
And why would he have been stupid enough to arbitrarily snuff out a call girl, two weeks before his election? . And did it ever make sense that sweet, sheltered Rosie larsen would work part-time as a high-priced underage hooker? Sud turned Richmond into yet another red herring, and this should have made us, like the detectives, wonder why we were so desperate for the truth that wed have preferred that patently ridiculous answer. . The innocent Richmond was shot and crippled for our eagerness, just as the previous nonsensical suspect, rosies teacher Bennett Ahmed, was beaten nearly to death. Did anyone really think theyd make him into a secret terrorist? Now that we know the truth, it is easier to see how red those herrings really were. It is telling that veena suds upcoming film project is a remake of the hitchcock business classic Suspicion. Hitchcock was the rare artist who managed to entertain audiences and subvert their expectations at the same time. Hitchcock achieved this most often by using a macGuffin, allowing the initial mystery itself to become the red herring.
It is a kind of intended misdirection, which keeps an audience on their toes. . The term originates in the proposal training of dogs. A red herring would be run along the ground away from the scent that the dog was meant to follow. . The idea was to train the dogs to eventually recognize when they were being fooled. But while lost dropped misleading clues haphazardly here and there to buy more time, the killing has thus far used red herrings intentionally to lead both viewers and detectives in the wrong direction, not simply to kill time, but to make us interrogate our own. Did candidate richmond really fit the bill? Wouldnt it have been pretty lame for the oh-so-charming politician to wind up being a sociopathic killer? .
He comes to understand, as we must, that the truth is never as holy a grail as the quest we took to find. Sounds like, lost, another friend of mine scoffed, when I described my love of The killing, never making that mistake again. Lost took away my ability to trust other people. Like the killing, lost steadily alienated its huge initial audience when writers decided to take the show in unexpected directions and then readily admitted to viewers that they did not have the truth about the mysterious island quite worked out, but that theyd figure. The result was seven seasons filled with great drama and action, but also dead-end plots, quickly forgotten clues, and pointless characters. All of this stalling produced one loose end after the next, and there was simply no way to tie them all together in the end. Tim goodman likewise criticized the first season of The killing for introducing too many red herrings. A red herring is a staple in most mystery stories. It is a misleading clue planted to distract us from the eventual truth. .
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In the second season finale on Sunday night, The killing achieved one of these about great endings for the larsen case. Sud kept her promise and revealed the truth about Rosies murder. The conclusion was satisfying, in that it did not satisfy. Rosies killing turned out to be caused by two different villains, one somewhat expected and the other utterly unexpected. In the end, these truths bring neither clarity nor comfort.
Not to the larsens or to the detectives. The truth behind Rosies killing turn out to be so meaningless and darkly ironic that we almost wish we didnt know. We know how Detective holder feels as he shakes his head in his dark office. Just the wrong place at the wrong time. Sometimes it just comes down to that I guess.
But in this same breath he complained that. Veena sud was compounding the problem by speaking out and directly assuring fans that the larsen case would be solved by the end of season two. This creates a major suspense problem. In the first 12 episodes, viewers will never believe a suspect is about to be revealed or that detectives closing in on a suspect in, say, episode seven, has any real relevancy. It certainly doesnt make that storytelling immediately essential.
Secondly, its telling viewers that they will be rewarded with a resolved mystery after 26 hours of television. If you see the appeal in any of this, please fire off a flare. Well, tim, consider this my flare. How can we be upset when the truth is withheld just when we most expect it, and when someone promises that it will be delivered, right on time? . But we in the audience always want to have it both ways: we want to have our expectations met, and at the same time, confounded. Elizabeth Bowen observed that Story involves action towards an end not to be forseen (by the reader) but also towards an end which, having been reached, must be seen to have been from the start inevitable. . Figuring how to get out of this double-bind has been the failing of many a writer. In all mediums, we reserve a large segment of our judgment until we see how well an entertainment ends. A great ending sends reverberations back through everything that transpired to reach.
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Many cited the fact that The killing is based on a danish tv drama. Forbrydelsen, presentation or The Crime, and the pilot episodes were nearly identical, shot-for-shot. They argue that while the first season. Forbrydelsen ended satisfyingly, by disclosing the true identity of the murderer, The killing broke that unspoken pact between itself and its audience: watch this show for 13 weeks and you will be rewarded with the truth. Subverting our expectations has brought great acclaim to other amc shows like. Mad Men and, breaking Bad, but with, the killing, the move appears to have backfired. As the second season began, goodman issued the show a stern essay warning. By not revealing who killed Rosie larsen in season one, this season could implode.
The killing two months ago, i told a friend whod been watching since day one. His reaction was vehement. Goddamn fuck the killing. I keep watching it and it keeps not going anywhere. I keep thinking ok, this is it and theeennn nope. And yet I cannot stop watching. This same friend directed best me to the website, m, which is essentially a short, explicit open letter to the show from its fans. Most critics were just as outraged. .
asked. For those who have not become as addicted to this show as I have, all you really need to know is that, after thirteen incredibly tense episodes, all the evidence began to point toward the charismatic mayoral candidate, darren Richmond. Most damningly, a photo from a toll booth showed Richmond driving away from the scene of Rosies abduction in the car where her body was later bound inside the trunk. But then, seconds before the credits rolled, detective linden discovered the photo was a fake. . Meanwhile the innocent Richmond was shot by a friend of the larsen family. The season ended, and the shows fans rioted. When I first began to watch.
Would you fight City hall? Would business you give up your badge and your gun? Would you watch 13 hours of television? . This is, essentially, the question asked of. The killing, which just ended its controversial second season. The show began as one of the most critically acclaimed new shows of 2011, nominated for three critics Choice awards and six Emmys. Tim goodman at, the hollywood Reporter declared it excellent, absorbing and addictive.
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How far would you go to learn the truth? In amcs detective writing drama, the killing, the truth is the identity of 15-year-old. Rosie larsens killer in a perpetually-overcast seattle. Would you risk losing your teenaged son, like detective sarah Linden? . Would you work fifty hours straight, like her partner, detective stephen Holder? Endanger your sobriety by stepping into the den of your old meth dealer? Would you wrench your family even further apart, like rosies father, Stan Larsen? .